{"id":13863,"date":"2026-02-20T11:21:39","date_gmt":"2026-02-20T17:21:39","guid":{"rendered":"https:\/\/revista925taxco.fad.unam.mx\/?page_id=13863"},"modified":"2026-02-20T11:24:29","modified_gmt":"2026-02-20T17:24:29","slug":"la-represion-liberadora-arte","status":"publish","type":"page","link":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/la-represion-liberadora-arte\/","title":{"rendered":"TDV  La represi\u00f3n liberadora en el arte"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"13863\" class=\"elementor elementor-13863\">\n\t\t\t\t<div class=\"elementor-element elementor-element-407ea776 e-flex e-con-boxed e-con e-parent\" data-id=\"407ea776\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1069a8cc elementor-widget elementor-widget-text-editor\" data-id=\"1069a8cc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<h2 class=\"wp-block-heading has-text-align-right\">Febrero 2026<\/h2>\n\n<h3 class=\"wp-block-heading has-text-align-center has-text-color has-link-color wp-elements-4\" style=\"color: #a30846;\">Obra del Taller Documentaci\u00f3n Visual<\/h3>\n\n<p class=\"has-drop-cap wp-block-paragraph\">El problema de liberar la represi\u00f3n a trav\u00e9s del arte tiene que ver lo mismo con la represi\u00f3n abierta de la sociedad sobre el artista y sus filias, que las contradicciones sentimentales que le agobian. Pero \u00bfc\u00f3mo se da este asunto en concreto?<\/p>\n\n<p class=\"wp-block-paragraph\">Desde nuestro punto de vista, en el artista es un ser aqu\u00ed en su propio mundo sentimental, lo cuestiona. En consecuencia, le preocupa e inquieta a tal grado que decide dedicarse al estudio de esta problem\u00e1tica, por eso explora los mecanismos emocionales del ser humano, buscando una explicaci\u00f3n al porqu\u00e9 de las actitudes y respuestas sentimentales. El prop\u00f3sito del artista es encontrar c\u00f3mo funcionan los resortes que disparan los mecanismos emocionales; de ah\u00ed que indague la relaciones, entre el ser, y el parecer, el sentir y el actuar, lo real y lo ideal\u2026 Estas disyuntivas lo llevan a proponer soluciones concretas o por lo menos evidenciar las problem\u00e1ticas que estudia, justificando, actitudes o desenredando la madeja de la enmara\u00f1ada emotividad humana.<\/p>\n\n<p class=\"wp-block-paragraph\">\u00bfSignifica esto que en verdad los artistas proponen soluciones concretas? Nosotros decimos que s\u00ed, definitivamente el artista no s\u00f3lo propone nuevas concepciones de lo est\u00e9tico, sino que tambi\u00e9n descubre nuevas formas de ver y entender los estados de \u00e1nimo y las pasiones sociales; explica algunas de las causas y razones de nuestra emotividad y transforma nuestra sensibilidad ideol\u00f3gica.<\/p>\n\n<h1 class=\"wp-block-heading has-text-align-center has-vivid-red-color has-text-color has-link-color wp-elements-5\"><strong><div  id=\"jtg-13907\" class=\"modula modula-gallery modula-custom-grid\" data-config=\"{&quot;height&quot;:800,&quot;tabletHeight&quot;:800,&quot;mobileHeight&quot;:800,&quot;desktopHeight&quot;:800,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0.5,&quot;type&quot;:&quot;custom-grid&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:true,&quot;tabletColumns&quot;:4,&quot;mobileColumns&quot;:2,&quot;lazyLoad&quot;:0,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:true},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:&quot;next&quot;,&quot;PageDown&quot;:&quot;prev&quot;,&quot;ArrowUp&quot;:&quot;prev&quot;,&quot;ArrowDown&quot;:&quot;next&quot;,&quot;ArrowRight&quot;:&quot;next&quot;,&quot;ArrowLeft&quot;:&quot;prev&quot;},&quot;wheel&quot;:&quot;slide&quot;,&quot;touch&quot;:true,&quot;backdropClick&quot;:&quot;close&quot;,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Cerrar&quot;,&quot;NEXT&quot;:&quot;Siguiente&quot;,&quot;PREV&quot;:&quot;Anterior&quot;,&quot;Error&quot;:&quot;No se ha podido cargar el contenido solicitado. Por favor, int\\u00e9ntalo de nuevo m\\u00e1s tarde.&quot;,&quot;PLAY_START&quot;:&quot;Empezar la presentaci\\u00f3n&quot;,&quot;PLAY_STOP&quot;:&quot;Pausar la presentaci\\u00f3n&quot;,&quot;FULL_SCREEN&quot;:&quot;Pantalla completa&quot;,&quot;THUMBS&quot;:&quot;Miniaturas&quot;,&quot;DOWNLOAD&quot;:&quot;Descargar&quot;,&quot;SHARE&quot;:&quot;Compartir&quot;,&quot;ZOOM&quot;:&quot;Zoom&quot;,&quot;EMAIL&quot;:&quot;Here is the link to the image : %%image_link%% and this is the link to the gallery : %%gallery_link%%&quot;,&quot;MODAL&quot;:&quot;Puedes cerrar este contenido emergente con la tecla ESC&quot;,&quot;ERROR&quot;:&quot;Algo ha ido mal, pro favor, prueba de nuevo m\\u00e1s tarde&quot;,&quot;IMAGE_ERROR&quot;:&quot;Imagen no encontrada&quot;,&quot;ELEMENT_NOT_FOUND&quot;:&quot;No se ha encontrado el elemento HTML&quot;,&quot;AJAX_NOT_FOUND&quot;:&quot;Error al cargar AJAX: No encontrado&quot;,&quot;AJAX_FORBIDDEN&quot;:&quot;Error al cargar AJAX: Prohibido&quot;,&quot;IFRAME_ERROR&quot;:&quot;Error al cargar la p\\u00e1gina&quot;,&quot;TOGGLE_ZOOM&quot;:&quot;Alternar nivel de ampliar\\\/acercar&quot;,&quot;TOGGLE_THUMBS&quot;:&quot;Alternar miniaturas&quot;,&quot;TOGGLE_SLIDESHOW&quot;:&quot;Alternar diapositiva&quot;,&quot;TOGGLE_FULLSCREEN&quot;:&quot;Cambiar al modo de pantalla completa&quot;},&quot;Images&quot;:{&quot;Panzoom&quot;:{&quot;maxScale&quot;:2}},&quot;mainClass&quot;:&quot;modula-fancybox-container modula-lightbox-jtg-13907&quot;,&quot;Html&quot;:{&quot;videoAutoplay&quot;:0,&quot;videoTpl&quot;:&quot;&lt;video class=\\&quot;fancybox__html5video\\&quot; controls muted playsinline controlsList controlsList=\\&quot;nodownload\\&quot; poster=\\&quot;{{poster}}\\&quot; src=\\&quot;{{src}}\\&quot; type=\\&quot;{{format}}\\&quot; &gt;  Sorry, your browser doesn&#039;t support embedded videos, &lt;a href=\\&quot;{{src}}\\&quot;&gt; download &lt;\\\/a&gt; and watch with your favorite video player! &lt;\\\/video&gt;&quot;}},&quot;inView&quot;:false,&quot;email_subject&quot;:&quot;Check out this awesome image !!&quot;,&quot;email_message&quot;:&quot;Here is the link to the image : %%image_link%% and this is the link to the gallery : %%gallery_link%%&quot;,&quot;lightbox&quot;:&quot;fancybox&quot;,&quot;lightbox_devices&quot;:&quot;both&quot;}\">\n\t\t<div  class=\"modula-items\">\n\t\t<div class=\"modula-item\"  data-width=\"4\" data-height=\"3\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13912\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;El hombre es una pasi\u00f3n in\u00fatil. Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1991&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 30px;left: 15px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img fetchpriority=\"high\" decoding=\"async\" class=\"pic wp-image-13912\"  data-valign=\"middle\" data-halign=\"center\" alt=\"El hombre es una pasi\u00f3n in\u00fatil.\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil.webp\" title=\"04-El hombre es una pasio\u0301n inutil\" crop=\"\" width=\"216\" height=\"300\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil-216x300.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil-216x300.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;El hombre es una pasi\u00f3n in\u00fatil. Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1991&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 30px;left: 15px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil.webp 719w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil-216x300.webp 216w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/04-El-hombre-es-una-pasion-inutil-60x83.webp 60w\" sizes=\"(max-width: 600px) 33.33vw, (max-width: 1024px) 33.33vw, 33.33vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"5\" data-height=\"3\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13909\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00a1\u00a1\u00a1Jesu\u0301s!!! Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992-1994.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 29px;left: 11px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img decoding=\"async\" class=\"pic wp-image-13909\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\u00a1\u00a1\u00a1Jesu\u0301s!!!\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus.webp\" title=\"01-Jesu\u0301s\" crop=\"\" width=\"300\" height=\"241\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-300x241.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-300x241.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00a1\u00a1\u00a1Jesu\u0301s!!! Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992-1994.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 29px;left: 11px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus.webp 1000w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-300x241.webp 300w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-768x617.webp 768w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-60x48.webp 60w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/01-Jesus-480x384.webp 480w\" sizes=\"(max-width: 600px) 41.67vw, (max-width: 1024px) 41.67vw, 41.67vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"3\" data-height=\"3\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13911\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00bfPor que me has abandonado? Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992-1994.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 35px;left: 18px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img decoding=\"async\" class=\"pic wp-image-13911\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\u00bfPor que me has abandonado?\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado.webp\" title=\"03-Por que me has abandonado\" crop=\"\" width=\"217\" height=\"300\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado-217x300.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado-217x300.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00bfPor que me has abandonado? Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992-1994.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 35px;left: 18px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado.webp 722w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado-217x300.webp 217w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/03-Por-que-me-has-abandonado-60x83.webp 60w\" sizes=\"(max-width: 600px) 25vw, (max-width: 1024px) 25vw, 25vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"3\" data-height=\"7\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13908\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Lo que hace la mano, hace la tras (El manitas). Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1990&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 32px;left: -42px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-13908\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Lo que hace la mano, hace la tras (El manitas)\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas.webp\" title=\"05-El manitas\" crop=\"\" width=\"215\" height=\"300\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas-215x300.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas-215x300.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Lo que hace la mano, hace la tras (El manitas). Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1990&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 32px;left: -42px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas.webp 716w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas-215x300.webp 215w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/05-El-manitas-60x84.webp 60w\" sizes=\"(max-width: 600px) 25vw, (max-width: 1024px) 25vw, 25vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"5\" data-height=\"3\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13913\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Los maderos de San Juan, piden pan y no les dan, piden queso y.... Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 37px;left: 17px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-13913\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Los maderos de San Juan, piden pan y no les dan\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan.webp\" title=\"06-Los maderos de San Juan\" crop=\"\" width=\"300\" height=\"294\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan-300x294.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan-300x294.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Los maderos de San Juan, piden pan y no les dan, piden queso y.... Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 37px;left: 17px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan.webp 1000w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan-300x294.webp 300w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan-768x753.webp 768w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/06-Los-maderos-de-San-Juan-60x59.webp 60w\" sizes=\"(max-width: 600px) 41.67vw, (max-width: 1024px) 41.67vw, 41.67vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"4\" data-height=\"7\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13914\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Verano peligroso. Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 31px;left: 8px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-13914\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Verano peligroso\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso.webp\" title=\"07-Verano peligroso\" crop=\"\" width=\"219\" height=\"300\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso-219x300.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso-219x300.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;Verano peligroso. Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 31px;left: 8px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso.webp 730w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso-219x300.webp 219w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/07-Verano-peligroso-60x82.webp 60w\" sizes=\"(max-width: 600px) 33.33vw, (max-width: 1024px) 33.33vw, 33.33vw\" \/>\n\t<\/div>\n\n<\/div><div class=\"modula-item\"  data-width=\"5\" data-height=\"4\">\n\t<div class=\"modula-item-content\">\n\t\t\n\t\t\t\t\t<a data-image-id=\"13910\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-13907\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00bfMe lavo las manos? Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 32px;left: 22px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" aria-label=\"Abrir la imagen en una caja de luz\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\t\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-13910\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\u00bfMe lavo las manos?\" data-full=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos.webp\" title=\"02-Me lavo las manos\" crop=\"\" width=\"212\" height=\"300\" src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos-212x300.webp\" data-src=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos-212x300.webp\" data-caption=\"&lt;span lang=&quot;ES&quot; style=&quot;font-size: 12.0pt;font-family: &#039;Arial&#039;,sans-serif&quot;&gt;\u00bfMe lavo las manos? Taller Documentaci\u00f3n Visual. T\u00e9cnica mixta, 1992.&lt;\/span&gt;\n&lt;div id=&quot;simple-translate&quot; class=&quot;simple-translate-system-theme&quot;&gt;\n&lt;div&gt;\n&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;height: 22px;width: 22px;top: 32px;left: 22px&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-panel &quot; style=&quot;width: 300px;height: 200px;top: 0px;left: 0px;font-size: 13px&quot;&gt;\n&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden&quot;&gt;\n&lt;div class=&quot;simple-translate-move&quot;&gt;\u00a0&lt;\/div&gt;\n&lt;div class=&quot;simple-translate-result-contents&quot;&gt;\n&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;\u00a0&lt;\/p&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\n&lt;\/div&gt;\" srcset=\"https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos.webp 707w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos-212x300.webp 212w, https:\/\/revista925taxco.fad.unam.mx\/wp-content\/uploads\/2026\/02\/02-Me-lavo-las-manos-60x85.webp 60w\" sizes=\"(max-width: 600px) 41.67vw, (max-width: 1024px) 41.67vw, 41.67vw\" \/>\n\t<\/div>\n\n<\/div>\t<\/div>\n\t\n\t<script type=\"application\/ld+json\">\n\t\t{\n\t\t\t\"@context\": \"https:\/\/schema.org\",\n\t\t\t\"@type\": \"ImageGallery\",\n\t\t\t\"id\": \"https:\/\/revista925taxco.fad.unam.mx\/index.php\/la-represion-liberadora-arte\/#modula-gallery-13907\",\n\t\t\t\"url\": \"https:\/\/revista925taxco.fad.unam.mx\/index.php\/la-represion-liberadora-arte\/\"\n\t\t}\n\t<\/script>\n\n\t<\/div>\n<\/strong><\/h1>\n\n<p class=\"wp-block-paragraph\">\u2026Lo importante en el arte es relacionar las contradicciones para as\u00ed crear el movimiento en la obra y posibilitar la apreciaci\u00f3n din\u00e1mica de sus postulados.<\/p>\n\n<p class=\"wp-block-paragraph\">Otro tipo de contradicciones que se pueden encontrar en el arte, son por ejemplo los conceptos existentes sobre el realismo, ya que parad\u00f3jicamente las im\u00e1genes m\u00e1s evidentemente falsas son las denominadas como estilos \u201crealistas\u201d y \u201cnaturalistas\u201d, tal es el caso de las pinturas imitativas o per realistas, las cuales enga\u00f1an nuestra percepci\u00f3n al hacernos percibir tridimensionalidad en donde s\u00f3lo existe un plano bidimensional o dan la sensaci\u00f3n de piel humana, donde s\u00f3lo hay pigmentos, mezclados y esfumados, por el contrario, el arte abstracto o informal, al ser menos imitativo o mim\u00e9tico, resulta m\u00e1s realista o concreto, debido a que evidencia que la pintura est\u00e1 aplicada sobre una superficie bidimensional. Por eso sus manchas texturas y escurridos resultan m\u00e1s verdaderos que el tramposo verismo imitativo. Sin embargo, el arte abstracto, a pesar de su car\u00e1cter concreto se aleja de nuestras experiencias cotidianas y de nuestros m\u00e1s marcos de referencia espec\u00edficos, por eso lo percibimos como ajenas a la realidad en que nos movemos contrariamente a lo que sucede con la pintura naturalista y mim\u00e9tica, a la cual consideramos realista por ser una imagen m\u00e1s cercana a nuestra experiencia de lo que de lo que percibimos como la realidad.<\/p>\n\n<p class=\"wp-block-paragraph\">Tambi\u00e9n existen las contradicciones de contenido en las cuales, por ejemplo, una obra art\u00edstica que denuncia las arbitrariedades del poder pol\u00edtico consigue tambi\u00e9n justificar en parte del sistema que denuncia, demostrando la libertad de expresi\u00f3n de que goza el artista, a quien se le permite manifestar libremente su descontento otro es el caso del arte er\u00f3tico que si bien permite liberar parte de nuestra libido y nuestras fantas\u00edas sexuales. Al mismo tiempo refuerza esta depresi\u00f3n, pues el proporcionarnos suced\u00e1neos refuerza la sublimaci\u00f3n de nuestros impulsos biol\u00f3gicos.<\/p>\n\n<p class=\"wp-block-paragraph\">Por todo lo anterior, es sostenible, que los artistas crean sus obras conjugando libertad con represi\u00f3n. La paradoja est\u00e1 en que la libertad expresiva del artista surge gracias al sentimiento de opresi\u00f3n que se desea liberar, revel\u00e1ndolo en la obra. De aqu\u00ed que si el artista consiguiera satisfacer completamente sus necesidades, no las plasmar\u00eda como acto compensatorio por eso el arte es otra realidad par\u00e9ntesis la del deseo), muy relacionada con esta realidad par\u00e9ntesis la de los hechos).<\/p>\n\n<p class=\"has-text-color has-link-color wp-elements-6 wp-block-paragraph\" style=\"color: #6b08a3;\"><strong>Taller Documentaci\u00f3n Visual<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Febrero 2026 Obra del Taller Documentaci\u00f3n Visual El problema de liberar la represi\u00f3n a trav\u00e9s del arte tiene que ver lo mismo con la represi\u00f3n abierta de la sociedad sobre el artista y sus filias, que las contradicciones sentimentales que le agobian. Pero \u00bfc\u00f3mo se da este asunto en concreto? Desde nuestro punto de vista, en el artista es un ser aqu\u00ed en su propio mundo sentimental, lo cuestiona. En consecuencia, le preocupa e inquieta a tal grado que decide dedicarse al estudio de esta problem\u00e1tica, por eso explora los mecanismos emocionales del ser humano, buscando una explicaci\u00f3n al porqu\u00e9<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13863","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/13863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/comments?post=13863"}],"version-history":[{"count":8,"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/13863\/revisions"}],"predecessor-version":[{"id":13918,"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/13863\/revisions\/13918"}],"wp:attachment":[{"href":"https:\/\/revista925taxco.fad.unam.mx\/index.php\/wp-json\/wp\/v2\/media?parent=13863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}